Meisen kimonos – 銘仙

After a too long break I went to my Japanese class (which is basically drinking tea while reading articles about Japanese history, culture, craft and arts) and Takeda-san (my teacher for more than 10 years now) told me about a nice exhibition in a small museum in Roppongi: the Sen Oku museum. The exhibition features the collection of Nagano’s “classic museum” meisen (銘仙) kimonos. Meisen kimonos are some kind of cheaper kimonos made of lower quality silk, and that became super popular in Taisho period and early Showa. And as you may remember, this is one of my favorite period in Japanese history (see my earlier post on Taisho period and Taisho architecture). The meisen kimonos are very colourful, with many large patterns made with stencils with a very interesting technique of dying. I recommend you read this very nice article about meisen techniques from Anna Jackson of the Victoria and Albert Museum if you want to know more about it. Her article features many pictures of the making.

Coincidently, my favorite kimono magazine: Kimono hime (kimono姫), had its new issue on meisen.  With as usual, tons of beautiful pictures that make you want to wear kimonos every day, and some nice places to visit in the region of Chichibu, a place known for making meisen kimonos. I thought this was a sign and time to go and explore meisen. After a quick check going to Chichibu is not far from Tokyo but a rather crowded drive on week-ends in particular in autumn because of the surrounding nature. So we postponed the trip there for a day we can go during the week. Instead we headed to the museum in Roppongi and went to see the exhibition. It’s a small exhibition, so it didn’t take much time, but the kimonos exhibited were really nice and the movie explaining the making was also really interesting. It revived my love for wearing kimonos, for mo-ga fashion, and for modern Japanese paintings. It revived it so much that when out of the exhibition I had colorful patterns in my eyes and in my mind and it came naturally to us to go to Ginza to visit a few art galleries that have modern Japanese painters.

The tour was quite quick, we park in front of Tamenaga, that will have a Foujita exhibition starting Sunday, so we decided to come back on Sunday. Then we headed to an other one where didn’t find what we were looking for, finally browsing some leaflet, we found that Shihoudou may have what we are looking for and went there while stopping on our wayhere  and there in others. And yes! Shihoudou had exactly what I had in mind, a simple modern psinting of a girl in a colorful kimono. I love so much the contrast of the kimono and the european style painting, it is just the essence of this period for me. I dream of having such a painting!

Taisho style

At first when we came to Japan I couldn’t get used to these Japanese-Western (wa-yo) style things: buildings, clothes, food… Everything looked like a pale copy of something we have in Europe or there is in the US, but with something wrong. The most significant period of that style is probably the Taisho era (around 1910-1925), after the many trials in the Meiji period, when the style started to be more stable and much established.

It took me some time to really understand this style. Now I think this is my favorite period for Japanese art, architecture, design and clothing and even literature. Strangely, probably one of my favorite period in Western style too!
In terms of food my favorite is probably om-rice (オムライス), even it started in late Meiji. I’ll give you my recipe very soon!
There are fewer and fewer examples of Taisho architecture in Tokyo now because of a total lack of consciousness of these jewels (or maybe trying to ignore them for profits) and they are replaced one by one by ugly plastic prehab houses. But in areas such as Taito-ku north of Ueno, Ya-Ne-Sen between Taito-ku and Bunkyo-ku, or in Arakawa-ku around Senju and Kita-Senju it is still possible to see some along with some early Showa buildings. 
Ukiyoe by Yumeji Takehisa
present of the shamisen group
Dentist office in Ueno established in 1900,
and re- built in Showa 3/1928

An other excellent example is the Yasuda mansion near Sendagi (unfortunately rarely open to public) where it is possible to also enjoy interior design and original furnitures. More accessible yet less typical is the Asakura Chosho museum in Yanaka. Other options for a condensed viewing are open air museums where such houses have been moved to. There are two excellent places, the first is Meiji Mura near Nagoya in Inuyama, the other is the Tokyo Oedo Museum of Architecture in Koganei. It has a few exemplars that have been moved there for preservation.


Probably I came to understand and like this period through literature. It is widely covered in the work by Yukio Mishima and by Junichiro Tanizaki, where the mo-ga (modern girl) is well represented and that I massively read after starting to live in Tokyo. Probably “Naomi” is an excellent start. 
The music that I’ve had the chance to be introduce to by my husband shamisen group of ha-uta has also given an interesting insight about customs and women liberalization at that time.

Regarding graphic arts, I really like ukiyoe from Yumeji Takehisa and Goyo Hashiguchi, and paintings from Kunitaro Suda for example. The museum of modern art in Hayama, besides being ideally located on Hayama beach, hosts many exhibitions during the year of Japanese painters covering that period and each is worth seeing.




But it is only very recently that I came across a fabulous book: Taisho chic, about the aesthetic of Taisho period that summarizes very well the trends at that time (architecture is not covered though) and I really recommend it if you want to understand this period of Japanese history.

Proudly powered by WordPress | Theme: Baskerville 2 by Anders Noren.

Up ↑

Verified by MonsterInsights