御年賀 – o nenga

It is a tradition in Japan to exchange small presents at the beginning of the year (these mist be inexpensive presents of about 500yens), and these small presents are usually food. It is of a great variety and most department stores or food shop offer to prepare such items. They must be wrapped and have the proper 御年賀 paper on them. Only paper, no ribbon or other decoration, and eventually the name of the person offering it written (to make it easier to identify from whom it comes from and return the gift).  Yesterday at the yearly shamisen’s concert we have exchanged many 御年賀 and it is always fun and nice to discover what we have received. Classic gifts are rice crackers, dry fish, taukudani (seaweed or small fishes cooked in soya sauce), sweets of all kind… I really love this custom, finding what to offer and opening all our presents and thinking about how to eat them. It’s a good occasion to discover products we don’t usually eat since I don’t usually buy prepared food, and then to learn how to cook them!!!

Kabuki-za

 Curtain celebrating the Nakamura family
Curtain celebrating the Nakamura family

A few years ago one of the main kabuki theater in Tokyo, the Kabuki-za in Ginza closed, was demolished and rebuilt. It reopened a year ago and since then we’ve been a few times to see performances. The theater completely renewed still has a very old style flair, the outside being almost untouched (expect for a tall tower on top of the old-style theater. The inside has been improved a lot but is still very traditional. The performances have also been dramatically improved, probably thanks to the renewal and the media covering of the Nakamura family, one of the kabuki actors group at Kabuki-za, with more attractive plays and even new compositions, more beautiful costumes and makeups that refer directly to Edo era period. This time we went for one of favorite plays: renjishi, or the lion dance. It is always a beautiful play, with a lot of shamisen playing and a very energetic dance, beautiful costumes. Since pictures are forbidden during performances I can only recommend you check by yourself. As usual there are 3 or 4 different plays in one session and all are really very interesting and different in style, acting and purpose. If you are not a Kabuki amateur you may be tempted to buy cheap tickets with poor view, if you do so be sure to bring some binoculars. Kabuki is not just about the music or the overall performance, it’s about facial expressions and costumes. Details matter, so to enjoy the performance you want to see them. That’s why I would actually invest in some better seating, even for a first time, the experience is all the more interesting. Finally, with all these renovations at Kabuki-za, they implemented a system of personal subtitles device. Contrarily to opera their was no subtitles in kabuki. These devices can berented fir 1.000yens, and are really worth. Much better than the audio system they do not impede with the enjoyment and they provide much more than the subtitles, they explain context, history if the play, characters and cultural features. 

 Hanamichi and stage
Hanamichi and stage

Proudly powered by WordPress | Theme: Baskerville 2 by Anders Noren.

Up ↑

Verified by MonsterInsights