A day-trip to Mashiko

Days off in the middle of the week are rare. Most national holidays would be somehow close to a weekend, so we would spend them in Ohara. This year the emperor birthday was on a Wednesday and we had to be in Tokyo the day before and the day after. Everyday I see mount Fuji from the window I want to go there, so we first thought about going there. But the fear of wasting our time in traffic jam, and the lack of idea of places to visit around kind of killed the idea in the egg. Instead we were looking for a place with not only rich nature, but something more. I pulled out our old guide books and we ended up picking Mashiko as our destination for the day. Our criteria were simple: the driving time should be about 90min, it has to have great natural environment, it has to have some craft or art to see, and some historical sights, finally a possible, even short, hike with a spot to lay a blanket and picnic in the sun. Mashiko 益子 is about 130km from Tokyo, many sites recently registered as national cultural heritage, in particular some temples in the forest near hiking trails, and is famous for its potteries. Additionally the place where Shoji Hamada, who contributed to the creation of Mingei 民藝. It ticks all the boxes.

Mashiko is a small potter town. It is all well set to be a tourist attraction, but the pandemic made our visit a little paradise. Very few tourists in the main street, and even fewer people to the slightly more remote sights such as temples and shrines, and Hamada’s house. So every thing was quiet, bathing in the warm light of the cold winter sun.

Many of the pottery shops on the main street are just average but some do have a very nice collection of Mashiko yaki 益子焼. Some are more like galleries with edgy works. The indigo dye house down the corner of the street is worth the visit. On the opposite direction of the street, the big plaza with the ignominious giant tanuki (see picture above) is more so-so, but continue further and there is an amazing antique shop. But what we really felt for was Hamada’s residence, about 15min away on the other side of the hill. The walk there was charming, and the property is pure delight. It is nice to see all these kilns covered going uphill. Abd the Saimyoji temple and the Tsuna shrine.

Random pictures of Hamada’s house, Saimyoji, Tsuna shrine, the best 3 of Mashiko for me

It was really cold there but it was beautiful and quiet, and people really kind. I’m sure we’ve missed some interesting sights, but that’ll give us an excuse to visit again!!!

And as we could go back to Tokyo without packing on local products we stopped at Mashiko michi no eki 道の駅, a very nice new wooden structure, also quiet and spacious, to pack on fresh fruits and vegetables and on staples such as flour, soba, rices. They had an excellent selection very nicely presented.

We didn’t know what to expect exactly but Mashiko surely charmed us!

February 24, 2022

Dirty hands

I love to put my hands in gooey mixtures quite a lot, and this weekend is what I did!! I first started bu making some brioches for our breakfast. The dough for brioche is always a hard kneading wirk because of the egg and butter the dough gets really really gooey and it takes a good 30-40min of string kneading to obtain the silky soft and smooth dough expected. I could use a robot you could tell me, but kneading is really part of the fun for me, if not most with eating together the final product. The result: 6 little brioches was really great, all warm out of the oven for breakfast. And when they we finished for tea time, I regretted not to have made more…

The other gooey mixture I worked with this weekend was clay for ceramics. After our experience of making pottery in Kurashiki, we wanted to do some more, and finally by chance the other day at some event in Isumi we found Ezonoco a potter which work I like very much and who is also having some classes at her workshop. So we finally went there and spent the afternoon with hands in the clay and shaping our creations. It was tough work but it was great to work side by side and tease each other and I can’t wait to see the results after they will be out of the oven in a few weeks and we can work on them again. I also thought about the so many things I want to make and that it may finally happen! It makes me really happy!

February 26, 2018

Chichibu – 秩父

Two years ago we went to see an exhibition of meisen kimono and I totally felt in live with this new technique to make more affordable kimonos. I like how it is linked with the societal changes that were occurring at that time, freeing women, and the cultural changes with Japan in between western and traditional cultures. The vibrant colors, the rough patterns are characteristics of meisen, but not only. In the 1930’s there were several regions that were producing meisen. Hachioji and Chichibu are two close to Tokyo. A few month ago, one of our friends moved to Chichibu so it was the perfect occasion to visit her and check the meisen museum and visit the city.

Chichibu is about two hours by train or car from Tokyo in Saitama prefecture. It is a small city nested in a valley where the Arakawa river passes, and surrounded by mountains. The city expanded significantly with ghe meisen industry and a lot of buildings from the Taisho-Showa periods remain. The meisen kan 銘仙館is a former factory. The wooden buildings are really nice and it explains simply the history of meisen and the techniques used to make meisen. They still make meisen with new contemporary patterns. What attracted me to that place was that it is possible to make some meisen: there are three activities cutting-dying-weaving. I really wanted to dye but it was not possible that day so we weaved, and it was fun. Strolling in the city that has many cafes and craft shops was also great. I came back to Tokyo with second hand kimonos and wood furniture… and pumped up with greens and mountain air!

May 29, 2017

Meisen kimonos – 銘仙

After a too long break I went to my Japanese class (which is basically drinking tea while reading articles about Japanese history, culture, craft and arts) and Takeda-san (my teacher for more than 10 years now) told me about a nice exhibition in a small museum in Roppongi: the Sen Oku museum. The exhibition features the collection of Nagano’s “classic museum” meisen (銘仙) kimonos. Meisen kimonos are some kind of cheaper kimonos made of lower quality silk, and that became super popular in Taisho period and early Showa. And as you may remember, this is one of my favorite period in Japanese history (see my earlier post on Taisho period and Taisho architecture). The meisen kimonos are very colourful, with many large patterns made with stencils with a very interesting technique of dying. I recommend you read this very nice article about meisen techniques from Anna Jackson of the Victoria and Albert Museum if you want to know more about it. Her article features many pictures of the making.

Coincidently, my favorite kimono magazine: Kimono hime (kimono姫), had its new issue on meisen. With as usual, tons of beautiful pictures that make you want to wear kimonos every day, and some nice places to visit in the region of Chichibu, a place known for making meisen kimonos. I thought this was a sign and time to go and explore meisen. After a quick check going to Chichibu is not far from Tokyo but a rather crowded drive on week-ends in particular in autumn because of the surrounding nature. So we postponed the trip there for a day we can go during the week. Instead we headed to the museum in Roppongi and went to see the exhibition. It’s a small exhibition, so it didn’t take much time, but the kimonos exhibited were really nice and the movie explaining the making was also really interesting. It revived my love for wearing kimonos, for mo-ga fashion, and for modern Japanese paintings. It revived it so much that when out of the exhibition I had colorful patterns in my eyes and in my mind and it came naturally to us to go to Ginza to visit a few art galleries that have modern Japanese painters.

The tour was quite quick, we park in front of Tamenaga, that will have a Foujita exhibition starting Sunday, so we decided to come back on Sunday. Then we headed to an other one where didn’t find what we were looking for, finally browsing some leaflet, we found that Shihoudou may have what we are looking for and went there while stopping on our wayhere and there in others. And yes! Shihoudou had exactly what I had in mind, a simple modern psinting of a girl in a colorful kimono. I love so much the contrast of the kimono and the european style painting, it is just the essence of this period for me. I dream of having such a painting!

November 4, 2015