Kitte

When we first arrived in Japan there was a huge post office close to Tokyo station. Quite convenient at the time for tourists because post offices where the only places or so where you could withdraw cash from an ATM with a foreign credit card. But the building didn’t resist the whole tide of renewals in the Marunouchi area, the construction of the Shin Marunouchi building, the opening of brick town and the revamping of the station. Opened since 2013, Kitte (which means “post stamp” in Japanese) is the shopping mall in that very former post office in front of Tokyo Station (Marunouchi south). They basically kept the facade and some of the inside such as the old postmaster office. Otherwise it is a shopping mall like many others, with a flair for Japanese brands and local products. I’ve been visiting it a few times and I find it nice to stroll in because it is usually little crowded. There are two places I like there:

北麓草水 Hokuroku souui, a brand that sells mainly soaps and body soaps and a few cosmetics and skin cares made in Japan with simple ingredients. They have two main fragrances for their body soaps and most of their products, so it’s quite limited but it’s just enough because both smell super delicious: hinoki and yuzu. I find hinoki perfect for every situations, it is both stimulating and soothing at the same time. It smells our first trips to Japan, when we were bringing back charcoal soaps with hinoki fragrance as souvenir. It smells a long time ago!!!

 Intermediatheque is the other place worth seeing at Kitte. It is a giant “cabinet de curiosities”, a museum  (linked to the University of Tokyo museum) with free access that is worth the detour and spending 30 to 90min in or even more. There are many inspiring things on display of various biology, anthropology, physics, engineering… the organization is such that it gives the impression to wander in the attic of a museum with all these treasures kept secret. Yet a very sleek one!! The top pictures was taken there, but no spoilers, go and check out yourself!

 

Kabuki-za

 Curtain celebrating the Nakamura family
Curtain celebrating the Nakamura family

A few years ago one of the main kabuki theater in Tokyo, the Kabuki-za in Ginza closed, was demolished and rebuilt. It reopened a year ago and since then we’ve been a few times to see performances. The theater completely renewed still has a very old style flair, the outside being almost untouched (expect for a tall tower on top of the old-style theater. The inside has been improved a lot but is still very traditional. The performances have also been dramatically improved, probably thanks to the renewal and the media covering of the Nakamura family, one of the kabuki actors group at Kabuki-za, with more attractive plays and even new compositions, more beautiful costumes and makeups that refer directly to Edo era period. This time we went for one of favorite plays: renjishi, or the lion dance. It is always a beautiful play, with a lot of shamisen playing and a very energetic dance, beautiful costumes. Since pictures are forbidden during performances I can only recommend you check by yourself. As usual there are 3 or 4 different plays in one session and all are really very interesting and different in style, acting and purpose. If you are not a Kabuki amateur you may be tempted to buy cheap tickets with poor view, if you do so be sure to bring some binoculars. Kabuki is not just about the music or the overall performance, it’s about facial expressions and costumes. Details matter, so to enjoy the performance you want to see them. That’s why I would actually invest in some better seating, even for a first time, the experience is all the more interesting. Finally, with all these renovations at Kabuki-za, they implemented a system of personal subtitles device. Contrarily to opera their was no subtitles in kabuki. These devices can berented fir 1.000yens, and are really worth. Much better than the audio system they do not impede with the enjoyment and they provide much more than the subtitles, they explain context, history if the play, characters and cultural features. 

 Hanamichi and stage
Hanamichi and stage

Meisen kimonos – 銘仙

After a too long break I went to my Japanese class (which is basically drinking tea while reading articles about Japanese history, culture, craft and arts) and Takeda-san (my teacher for more than 10 years now) told me about a nice exhibition in a small museum in Roppongi: the Sen Oku museum. The exhibition features the collection of Nagano’s “classic museum” meisen (銘仙) kimonos. Meisen kimonos are some kind of cheaper kimonos made of lower quality silk, and that became super popular in Taisho period and early Showa. And as you may remember, this is one of my favorite period in Japanese history (see my earlier post on Taisho period and Taisho architecture). The meisen kimonos are very colourful, with many large patterns made with stencils with a very interesting technique of dying. I recommend you read this very nice article about meisen techniques from Anna Jackson of the Victoria and Albert Museum if you want to know more about it. Her article features many pictures of the making.

Coincidently, my favorite kimono magazine: Kimono hime (kimono姫), had its new issue on meisen.  With as usual, tons of beautiful pictures that make you want to wear kimonos every day, and some nice places to visit in the region of Chichibu, a place known for making meisen kimonos. I thought this was a sign and time to go and explore meisen. After a quick check going to Chichibu is not far from Tokyo but a rather crowded drive on week-ends in particular in autumn because of the surrounding nature. So we postponed the trip there for a day we can go during the week. Instead we headed to the museum in Roppongi and went to see the exhibition. It’s a small exhibition, so it didn’t take much time, but the kimonos exhibited were really nice and the movie explaining the making was also really interesting. It revived my love for wearing kimonos, for mo-ga fashion, and for modern Japanese paintings. It revived it so much that when out of the exhibition I had colorful patterns in my eyes and in my mind and it came naturally to us to go to Ginza to visit a few art galleries that have modern Japanese painters.

The tour was quite quick, we park in front of Tamenaga, that will have a Foujita exhibition starting Sunday, so we decided to come back on Sunday. Then we headed to an other one where didn’t find what we were looking for, finally browsing some leaflet, we found that Shihoudou may have what we are looking for and went there while stopping on our wayhere  and there in others. And yes! Shihoudou had exactly what I had in mind, a simple modern psinting of a girl in a colorful kimono. I love so much the contrast of the kimono and the european style painting, it is just the essence of this period for me. I dream of having such a painting!

Art and nature in Niigata prefecture

 Artwork from ETAT 2015
Artwork from ETAT 2015

In the summer of 2006 while browsing the internet to find some nice contemporary art event and exhibition I found information about the Echigo-Tsumari art triennale (ETAT) and some special performances that would be held on the week end, so we jumped in a car and drove up there with no plan but our “triennale passport” and triennale catalog. We completely felt in love with the concept of the triennale, the with the beautiful mountains and rural area. We also met there some unique people: S. and K. that have become very good friends and that work in Tokyo and live up there most of the time n their beautiful house by the forest. Since 2006 we’ve made trips there more than a dozen times, we’ve been there at every season, went snowshoeing in deep snow, attended new year ceremony in the local shrine, went to pick wild vegetables and herbs in spring, young wild bamboo shoot in the beginning of summer, seen traditional bull fight, the red leaves in the mountains in autumn and we have never been disappointed. This area of Japan is truly beautiful with a strong personality.

After some time when we couldn’t go because of too mush work on week ends and because of our new house in the country that needed some maintenance, we finally went again, and it was again the triennale. And again it was a perfect stay. Our friends always welcome us in their beautiful old house (that is not completely innocent in the choice of our own house in the country), they feed us with delicious local products and a lot of fresh vegetables from their potager garden, I usally cook with K., and then we drove all over the countryside small roads to visit the art space and see artworks. And we’ve came back to Tokyo with tones of delicious products. I have my shopping list ready anytime we go there: natural honey and pollen from Akiyamago, 2-5-8 to prepare my own salted pickles at home, Koshikari rice, buckwheat flour from Tsunan… Plus our friends always treat us royally with tons of gifts from their own garden which vary depending on the season. Though very short (we stayed only 2 days) the perfect summer break!

 Installation from ETAT 2009
Installation from ETAT 2009

The concept of the triennale is quite simple, it is a contemporary art event that tries to boost this rural area that is depopulated and where there are many empty old houses, farms as well as unused schools because of the lack of kids. So a few houses and schools each time, and some outdoor spaces in the rice paddies, in the forest are also used for installation, exhibition, landscape art… Some of them also use traditional craft of the area, or local history. Since the very first edition in 2003 they’ve called for some famous artists such as Botansky, Turell, Kusama, Guo-Qiang… and mix with younger less known artists and art students. Of course the quality of the artwork is also very wide, but there is always very very nice discoveries. The art works span over an wide area, so driving is the most recommended, distances are not huge but roads are small and can be quite busy with beginners/paper drivers on week end so it takes time and it’s not a fun drive, week days are better for a more intense experience. There is also a number of performances: music, theater and experimental work almost every week worth checking.Since the triennale seems to be quite a success and drains a lot from of people from the city the event is slightly evolving and this time there were lot’s of temporary cafe in the main art spaces promoting local food (mainly for penniless urbanites so expect a lot of curry-rice). Local people are also selling local products, so it’s good to pack with an icebox in your trunk to bring back the country freshness to Tokyo!

 Typical landscape in Niigata prefecture
Typical landscape in Niigata prefecture

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